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      <image:title>Insights - ‘The shrinking political imagination is a threat to democracy’ - The book argues that in an era of relentless crises, the future has come to seem unpredictable, fragmented, and dominated by short-term calculations. Instead of imagining new possibilities, we increasingly rely on forecasting models and economic metrics. Public opinion is measured, markets are predicted, and progress is tracked through numbers and indicators. As a result, the future is no longer something to be envisioned collectively - it is something to be managed and controlled.</image:title>
      <image:caption>Jonathan White, Deputy Head of the European Institute and Professor in Politics at the London School of Economics and Political Science</image:caption>
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    <lastmod>2024-10-30</lastmod>
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      <image:title>Insights - Art and Culture at war: Reflections from Ukraine&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.culturepolicyroom.eu/insights/the-decline-of-political-trust-in-culture-where-did-it-go-wrong</loc>
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    <lastmod>2024-10-29</lastmod>
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    <loc>https://www.culturepolicyroom.eu/insights/culture-after-the-eu-elections-what-to-expect</loc>
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    <lastmod>2024-09-30</lastmod>
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    <loc>https://www.culturepolicyroom.eu/insights/if-culture-is-not-an-industry-what-is-it-then</loc>
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    <lastmod>2024-07-03</lastmod>
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      <image:title>Insights - ‘Culture as an Industry Won't Solve Sector's Problems’ - I spoke to Justin on 6 June, just three days before the European elections, to delve deeper into some of his ideas and contextualise them within the European political reality. We explored what the cultural sector must do today, in politically challenging times, to be understood and valued. Today, the world seems to be slowly waking up to the urgency of rebuilding policy foundations that prioritise people’s essential needs over GDP growth (1). So far, culture has been missing from these discussions. How can we ensure that culture is not forgotten or, worse, misunderstood again, like back in the 80s? If culture is not an industry, what is it?</image:title>
      <image:caption>Justin O’Connor is professor of cultural economy at the University of South Australia and visiting chair in the Department of Cultural Management at Shanghai Jiao Tong University in China.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/663106176b026b2f10c8a84a/0e8ae748-e303-4b78-8f6d-4cd21e3dd053/President_Joe_Biden_and_BTS_in_the_Oval_Office_of_the_White_House%2C_May_31%2C_2022.jpg</image:loc>
      <image:title>Insights - ‘Culture as an Industry Won't Solve Sector's Problems’ - This is what the Korean government did in the 1990s when they invested heavily in pop music and television, transforming them into global products(4). They were successful, but they did not call it a cultural or art policy. Instead, they used developmental state techniques(5), which have not been applied in Europe.</image:title>
      <image:caption>In the picture: BTS and US President Joe Biden at the White House in 2022. Source.</image:caption>
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      <image:title>Insights - ‘Culture as an Industry Won't Solve Sector's Problems’ - JO: In a few days, Europe will hold elections (the interview was teken on 6 June - EP), and we are likely to witness a shift to the right, symptomatic of significant cultural divides in European societies. Is this shift due to the absence of a robust competitiveness policy for Europe? Or does it stem from insufficient attention to creative industries within Europe’s competitiveness policy? Obviously not.</image:title>
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